PERMANENT OBSCURITY: Or A Cautionary Tale Of Two Girls
and Their Misadventures
With Drugs, Pornography and Death
by Dolores Santana
(as told to Richard Perez)
Richard Perez has the ears of the angels—lend
him yours.
—Barry Gifford, author: WILD AT HEART, PERDITA DURANGO
Perez's is an exciting talent and his work
goes far beyond most of what is published today.
—Henry Flesh, author: MICHAEL and the Lambda
Literary Award-winner,
MASSAGE
A youthful bohemian
satire, a story of alienated nonconformists, a “girls on the lam”
story, a sexploitation and S/M romp, a lampoon of auteur filmmaking,
a spoof of cult celebrity and “true-life” tabloid sensationalism.
Welcome to the sordid
world of
PERMANENT OBSCURITY
Inspired by the
underground sexploitation films of the 1960s, this bold updating
of the “roughie”
subgenre largely takes place in the East Village (ca. 2006), and it
chronicles the rise and fall of a unique and intense relationship.
Dolores and Serena,
two chemically dependent, down-and-out artists set out to take control
of their lives by making a fetish-noir/femdom movie.
Of course, things don't
exactly turn out as planned.
Affectionately
Dedicated to the memory of two outsider artists,
working in the sexploitation medium: Eric Stanton & Russ Meyer
(Illustration by Eric Stanton)
PART 1
THE
KINKY HOOK
I have created this site for one purpose
and one purpose alone.
To formally announce a name change.
I'll still need to fill out all the
legal paperwork and all that. And, yeah, I'll get on that.
But whereas, before, I was known legally,
officially, as "Richard Perez," I will be
known from this day on as "Perez Richard."
And I will also be adopting a middle
name (which, sadly, I never had; which, sadly, my parents never thought
to give me), and that middle name will be ...
Perez.
That's right. Perez twice.
So, from this point forth, I will be
known to the world as "Perez Perez Richard."
I will also be adding an accent to the
"e" in Perez (which, sadly, I also never had before), but
I will only adding that accent to the "e" in the second Perez.
To clarify: "Perez Pérez Richard."
So, get it straight, a'ight? Or I might
have to adopt the persona of Vincent Gallo, killer of critics and hatersand
kick your unsuspecting ass down a full flight of stairs.
WHAT LEADS US to do the wicked
things we do? I mean, the truly perverse, heinous stuff? Is
it the devil? Or some self-destructive impulse? Some kind
of illness buried deep in our bones? Or is it about hopelessness,
in the end?
About desperation?
Hey, listen up.
Ain’t easy being a mama in this world. This much is true.
Being an artist who’s female is even worse.
Yeah, go ahead. Roll your eyes. Laugh.
But here’s the sick truth:
All I ever wanted to do was to make art. To earn the respect
of my peers. To contribute something of cultural value.
I never thought the path I would take would earn me the contempt
and ridicule of my family and friends, or, worse, land me
in big trouble with the law.
Never thought the path I would take would go so far as to
make me and my ex-best friend, Serena, the butt of some national
joke, featured in opening monologues of the Tonight Show
and Late Night—featured on the cover of TheNational Enquirer and The NY Post—my name and
face dragged through the mud.
I was an embarrassment to all. Called a whore, a man-hater,
a castrating dyke and a pornographer.
What could I say to all this?
During the trial—televised on Court TV—when I stood up in
my own defense and cried, “But I’m a victim of circumstance!”
the jury all laughed. So did the judge—also, a woman. Even
my court-appointed lawyer chuckled a little. He tried to hide
that fact. But I still caught it.
All right, so maybe I am an idiot.
But who would have known that things could go so wrong?
Should I call on God—or the devil—to help me out, here?
Oh shit.
Where to begin?
><
>< ><
Serena.
I first met her as a photographer.
Photography is what I do. My love, my art, if you want to
call it that.
Serena was fronting a band called The Sirens, probably the
3rd or 4th Lower East Side band she’d
started since the age of 15.
Serena’s calling—or art—was performance. The Sirens was a
post-punk performance band. By “performance” I mean they incorporated
a stage show that was one part F.Y. performance art. She flipped
the audience and used stage props like giant “labial” wings
and fruit-colored jelly dildoes. Part of her job as performance
artist/band leader was to provoke an audience, as well as
entertain them.
Often, it was said, she did neither.
But, it wasn’t like she couldn’t sing. Don’t believe the haters.
Anyway, I was granted full access to photograph her band on
tour. Her first national tour, which included six states,
places like Austin Texas, Portland Oregon, Chicago Illinois
… right back to New York Fucking City, where she and I are
from.
We were both 19.
><
>< ><
Of course, rents being what they are in NYC, Serena couldn’t
earn a living from her art. Her website, DIY-printed paraphernalia,
and T-shirts helped, but they weren’t enough. My own photography
earned me close to nothing. Serena was a little better off,
but she still had to scam money, as I did, through temp jobs
and the like. She even tried starting a cleaning service,
which I was a part of.
That lasted three weeks.
People are pigs and when I found myself on my hands and knees
scrubbing crystallized cat pee from a bathroom tile floor,
I thought, “This is it: as low as it gets.”
(Little did I know.)
Serena? Forget it. She would get high half the time and not
even bother showing up.
Oh yeah. She liked to get high, Serena. I forgot to mention
that. I mean, okay, I did too, on occasion. But Serena took
it to a whole other level.
And if there was yeyo around, forget it.
That fine white powder was her weakness. No shit.
I maybe smoked when someone lit a bowl—not to seem unfriendly.
Even scored a little weed on my own, now and then.
Harmless shit.
I liked to drink, too, in local E.V. bars. I never turned
down a Raspberry Stoli and soda. Especially if it was free.
But Serena? The word to use was “ravenous.” There wasn’t a
drug on this earth she hadn’t tried. And I’ve seen her put
away a dozen shots of Maker’s Mark in one sitting and still
ask for more.
In the beginning of our relationship, she kept asking me for
drugs.
“I don’t have any,” I would tell her. “No money either.”
“Yeah, babe,” she would laugh. “You and me both.”
><
>< ><
Call it a lifestyle issue, then, or plain bad luck, money
was a sore spot, always.
Earning it honestly, of course, was out of the question. To
do that meant killing endless hours as a wage slave, which
she could no longer afford to do, or additional schooling
to pursue better opportunity, the cost of which she could
afford even less.
“Money makes whores of all of us,” my boyfriend Raymond once
said. And I agree.
One way or another, we all have to find ways to make it.
Serena, being a resourceful gal, cooked up all kinds of schemes
that didn’t finally involve having to take all her clothes
off. One of her schemes, early on, involved taking out free
ads on craigslist.
Looking back on it now, I can be judgmental and say it was
fucking weird, say it was wrong. So can she. Now.
But we live in a free market economy, which promotes exploitation,
and capitalism is the breeding ground for corruption. What
can I say?
Besides, there were other factors, other needs … ones you’ll
hear about, as this true-life tragicomedy unfolds.
><
>< ><
So, yeah, it’s true. I mean, what you’ve probably heard by
now.
But for the record I’ll repeat myself. Maybe this way I won’t
have to say it again.
Serena took out ads on craigslist.
Ads.
As a domina.
That’s a fact.
It started as a goof, I think, before she started taking it
seriously, before she realized it came from a deeper need.
What makes us do the things that we do? You tell me.
What I mean is that there are needs, then there are needs
below that. People often do things for a reason, but not one
they can put their finger on.
At least not one they can put their finger on immediately.
But I’m no fucked-up psychologist, so don’t quote me.
Okay, so Serena took out ads on craigslist as a domina.
What’s a domina, you ask? Another word, a cornier one, would
be “dominatrix.”
Now before you freak out with images of whips and leather
hoods with zippers and blood-drinking cults, chill out. ‘Cause
it wasn’t like that.
At least that’s how Serena explained it to me.
The ads were placed under the “strictly platonic” section,
with headlines like “Selfless Devotees Wanted” or “Seeking
Male Submissives.” In the ads, she would detail—straight out—what
she was looking for: male, service-oriented subs who would
run errands for her (like interns, come to think of it), and
pay what she called “adoration tributes.” These involved small
gifts (with the receipt), but never straight money.
Her lucky, selfless servant would then be rewarded, if that’s
the right word, with small intimate tasks, like maybe rearranging
her empress’s panty and lingerie collection, hand-washing
her “special” underwear (thongs, usually) or running her bath
or preparing a personal meal. Or her sub would be allowed
some minor physical contact, such as washing her hair, maybe,
or deep massaging her naked back, or feet. Only rarely would
she grant them the opportunity to go further: like allowing
them to kiss her in tender spots and other things she was
a little vague about. There really wasn’t any sexual interaction,
at least not in any conventional sense, at least as I understood
it, and the subs never seemed to mind.
She told me, they got off on the idea of distance, of “serving
a goddess”—even if that goddess didn’t exist, except in their
own heads.
Not that Serena was a slouch in the looks department, let
me tell you. With an angel face, thick wavy auburn hair, and
a slender, long-limbed frame, she was eye-catching enough
at age 13 to stand out from the crowd and do some modeling
and minor runway work. By 15, when her figure filled out slightly,
they no longer wanted her. And it wasn’t that she got fat
at all—only that her hips and rear end acquired a less adolescent
shape, and she looked like a real woman. No amount of dieting
could change that.
But she was a natural beauty—straight out. A head-turner,
with unnerving poise. And that attitude! As someone else once
said, “Her presence through a room sent shockwaves.”
Me? I always said openly: “What I wouldn’t give for a punishing
ass like Serena’s!”
But back to the domination shit.
These kind of ads helped Serena out, a little. And, in the
beginning, she had a purely mercenary objective.
“It’s not like I’m a narcissist, or have a sense of entitlement,”
she once told me.
Whatever that meant.
But as time went by she admitted that she enjoyed the idea
of being “in control.” Somehow it suited her personality,
she said. Or maybe it was a self-esteem issue. Or just the
thought of having someone at her beck and call, 24/7.
Serena never had a daddy, maybe that was it.
But don’t quote me.
She was less into corporal punishment and that whole cheesy
vamp with-a-whip thing, more into the psychological aspect
of power-exchange and boundary play. When it came down to
it, she said, from the sub P.O.V., it was mostly about “pleasing
Mommy.” And she would sometimes express herself that way to
subs: “Now Mommy wants you to arrange her things, all nice
and neat.” And, afterwards she might say, by way of encouragement,
“Good job! Such a good boy!” And she would pet their sorry
heads while maybe they shuddered and sometimes cried to be
touched that way.
Afterwards, she would remove the dog collar or whatever and
send precious boyo on his way, while she slumped back on her
busted couch in the solitude of her crib and poured herself
a half a bottle of Makers. Or maybe blew a line, if she had
it.
You better recognize this fact: People are complicated.
><
>< ><
Now and then, Serena tried straight or vanilla relationships,
too. Especially early on, when she wasn’t on tour or off on
one of her crazy, self-destructive binges. But somehow things
never seemed to work out.
Raymond, my boyfriend, would call that “ironic,” I guess.
Because Serena was so sexy and smart, you’d think she’d never
have a problem.
But she had problems.
Boy, did she.
Alcohol and drugs could really change that girl, let me tell
you.
But when she was straight she could be a sweetheart and a
lot of fun. She had what you might call “a strong personality,”
which went beyond cutting down haters, dancing on tabletops
in bars, and doing lap dances on strangers as a goof. And
her unpredictability, of course, only added to her allure.
“Allure”: I like that word. That’s one I picked up since
spending much of my time alone these days, reading. Since
learning to use a dictionary.
When I first met her, Serena, she was wearing a black tank
top that read “kamikaze” on the front and “temptress” on the
back, which seemed perfectly right, somehow.
One night, at some dive bar off Avenue C called The Dead End,
she was approached by some longhaired L.A. type—the kind who
still dressed retro-‘70s in turtleneck and white pants—and
was asked if she’d ever done any fetish modeling.
“Of course,” she replied.
“I’d like to see some of your work,” said the chump and handed
her a business card with his email address. “I’m starting
a new monthly magazine, and I’m paying top dollar for pictures.
You have the right look.”
Of course she did.
The guy hung around some more, bought both Serena and me a
few more drinks, and then reminded her to stay in touch, send
some photo samples.
“I’m serious,” he said, and as if to emphasize the point,
reminded her, “Top dollar!”
Serena turned to me afterwards and said, “Looks like you and
me will be shooting some fetish photographs.”
I liked the idea, and a day later I was picking up rolls of
film in Chinatown where it’s fucking cheap, then meeting Serena
at Trash and Vaudeville, a trendy-hip boutique on St. Marks
Place, where they sold all kinds of madcool, punky rock ‘n’
roll wear.
Serena picked up a leatherette bustier, some black satin opera
gloves to combine with fishnets and domme stilettos she had
at home.
Oh my God, Serena looked mad sexy! And at her apartment she
had one of her subs—a quiet guy I never met before, her current
favorite—dress her in a number of mix-and-match outfits. “You
bangin’-hot bitch!” I howled as she took a number of fucked-up
poses and laughed.
We even got her sub into it, blindfolded him while having
him wear a ball gag.
In one shot she took the equestrian position, riding her ponyboy
while he gamely held her up on all fours.
In another shot, she put on her black gloss 4-inch stilettos
and stood on his bare chest.
“This is called ‘trampling,’” she said, in all seriousness,
trying to educate me.
I watched the heels pressing into his nipples.
“Doesn’t that hurt?”
“He doesn’t mind,” said Serena. “Isn’t that right, Baby?”
Baby—his nickname, as it turned out—issued a sigh, signifying
he was all right.
“My sweet Baby is in subspace,” she said, talking for him.
“That’s why he can’t answer.”
Later, she told me what “subspace” was: a headspace, like
deep meditation, where a sub finds peace of mind.
PERMANENT OBSCURITY: Or A Cautionary Tale Of Two Girls
and Their Misadventures
With Drugs, Pornography and Death
by Dolores Santana
(as told to Richard Perez)
Richard Perez has the ears of the angels—lend
him yours.
—Barry Gifford, author: WILD AT HEART, PERDITA DURANGO
Perez's is an exciting talent and his
work goes far beyond most of what is published today.
—Henry Flesh, author: MICHAEL and the Lambda
Literary Award-winner,
MASSAGE
A youthful bohemian
satire, a story of alienated nonconformists, a “girls on the lam”
story, a sexploitation and S/M romp, a lampoon of auteur filmmaking,
a spoof of cult celebrity and “true-life” tabloid sensationalism.
Welcome to the
sordid world of
PERMANENT OBSCURITY
Inspired by the
underground sexploitation films of the 1960s, this bold updating
of the “roughie”
subgenre largely takes place in the East Village (ca. 2006), and
it chronicles the rise and fall of a unique and intense relationship.
Dolores and Serena,
two chemically dependent, down-and-out artists set out to take
control of their lives by making a fetish-noir/femdom movie.
Of course, things
don't exactly turn out as planned.
Permanent Obscurity: Or A Cautionary Tale
Of Two Girls
And Their Misadventures
With Drugs, Pornography
And Death